WHITE MODEL
Hamlet unfolds in a once-grand theatre, now abandoned and stripped of purpose. The architecture remains—ornate, rigid, and imposing—but its function has eroded, leaving behind a hollow ceremonial space. Within it, the actors exist between rehearsal and performance, memory and present action.
The suspended lighting truss intrudes upon the classical interior, exposing the mechanics of theatre and disrupting its illusion. This tension between past grandeur and present decay mirrors Hamlet’s fractured reality—a world where meaning persists only through performance, and where identity is constantly constructed and undone.
RENDERING
Before the play begins, the actors enter as themselves, establishing performance as an act of construction rather than illusion.
The ghost emerges in fragments, constructed through light rather than fully embodied.
GALLERY
HAMLET
Research Project
RENDERING
INTRODUCTION
FIRST ENCOUNTER
SHOW WITHIN THE SHOW
THE MOUSE TRAP